This year, I was invited to speak about growing your handmade wholesale business at Makers Summit (by Makers Collective, in Greenville, South Carolina.) It was exciting, since I really admire the Makers Collective folks and the authentic, thoughtful way they do things. But I had some reservations, because it's hard to take time away from work and life to do something that may be awesome or may be meh.

In 2006, I was living in New York City and going to yoga a lot. I was going through a hard time, so yoga class served as a refuge, exercise, and social connection.

One day, as I walked out of class, I saw a stack of books for sale by the cash register. The handwritten sign next to the stack said the book was a memoir by one of the yoga studio’s attendees. I figured the book was terrible, obviously just displayed because the author went to yoga at the studio. But I bought it anyway because my life doldrums were such that going to an actual bookstore or library wasn’t happening. As the cashier ran my credit card, she mentioned that the next day, the author was doing a reading and Q&A at the studio. Since I’d be at yoga anyway, I decided to go.

We asked some of the makers that we work with for their advice. They thought about the early days of growing their handmade wholesale business and sifted through their experiences for the single piece of advice they think is most crucial.

Here’s what they said…

Set your wholesale minimum at the right level — not to high or too low — to make sure you won’t hurt your business with a minimum that doesn’t make sense.

In 10th grade, I realized or decided that I was bad at math. During math class, I was simultaneously confused, bored, and overwhelmed. And doing my math homework in the evenings was so tedious and overwhelming that I buoyed myself with a huge bag of ginger snaps and Charles in Charge sitcom breaks.

Your story is the way you produce what you make, the specific art and design of what you do, the inspiration behind it, and what makes it special beyond what is immediately obvious at first glance. This could include your production process, your design, your sourcing, the design inspirations of each piece, perhaps why you make what you make, or a mission or ethos that the company embodies.

With our increasingly mobile and flexible lives, it makes sense that many of us are turning away from reading and towards more mobile forms of consuming good content. While we’re avid readers, we’ve been getting tons of inspiration from podcasts recently, and the medium for content sharing is exponentially growing. 

Whatever your politics, the present feels like a time of both destruction and creation. It feels like a time to make a stand - to actively participate in creating a world that we want to live in, a world where all people can thrive. To take ownership of ourselves and our businesses and our process. Something in Elysian Fields post of the James Murphy quote “The best way to complain is to make something” just rings true, especially right now.

For makers, the emotional aspect of reaching out to stores is often the hardest. If you have taken the leap and reached to stores to introduce your work, you know it can be scary and even harder is knowing how many times to follow up.

We sat down with Olivia to talk about the pros and cons of three different wholesale outreach methods: email outreach, trade shows and walking into stores to introduce your work. 

When we first started Wholesale In a Box, there was nothing in the space or on the market that existed like it -- not a single company that provided this service, though a couple have since sprouted up. We knew the method worked, based on our depth of experience in related approaches with makers and artisans around the world. We knew makers wanted it because we created it in response to the dozens and dozens (now hundreds) of conversations we had with makers in which they said, "I want to grow my wholesale, but it's a huge hassle finding stores that are a good fit, I don't have a good system to stay consistent, and I don't know what to send to stores or what to do when they don't write back."

There's a book I really like called Women Who Run with The Wolves by Clarissa Pinkola Estes. It's got a poorly designed cover (see below) and an embarrassing title. But over the past few years, it's been my book. It's the book I go to when I'm inspired. It's the book I read in the morning with my coffee. It's the book I go to when I'm confused and feel weak.